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Home Listicles

10 Best Logos with Crowns: A Regal Symbol of Power and Authority

Priyanka Kesarwani by Priyanka Kesarwani
May 13, 2023
in Listicles
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The use of crowns in logos is a common practice among businesses and organizations to symbolize authority, power, and prestige. Whether it’s a fashion brand, a hotel chain, or a sports team, the addition of a crown can instantly elevate a logo’s appearance and make it more memorable. In this article, we’ll take a closer look at some of the best logos with crowns and explore why they work so well.

The power of a crown in a logo design is hard to deny. It can make a brand feel regal, authoritative, and prestigious, instantly communicating a sense of luxury and sophistication. But it’s not just about the imagery – a crown can also be a great way to tie together the different elements of a logo, creating a cohesive and memorable design.

In this article, we’ll explore some of the 10 best logos with crowns from a variety of industries and examine how they use this iconic symbol to strengthen their brand identity. We’ll also take a closer look at the different design elements that make these logos stand out and discuss how you can apply these principles to your own logo design.

10 Best Logos with Crowns

1. Starbucks

Starbucks logo features a mermaid with a crown, which is believed to symbolize the queen of the underwater realm. The brand is named after a character in Melville’s Moby-Dick, although there is no connection to mermaids in the story. The crown was added to make it clearer that the logo represents a mermaid, and not a woman doing a yoga pose. The logo has undergone redesigns by Terry Heckler in 1987, 1992, and 2011, but the mermaid with a crown remains a distinctive and recognizable element of the Starbucks brand.

2. Rolex

The crown logo of Rolex, a luxury watchmaker, is fitting for a brand associated with achievement. The logo, designed by Hans Wilsdorf and Alfred Davis, originally featured a black crown and was later updated with a gold crown and green typeface in 2003 to emphasize luxury. The abstract crown design, with its exaggerated height and five points, is said to represent the hand’s five fingers, adding to the brand’s sophistication and elegance. Despite lacking royal connections, the crown logo feels appropriate for Rolex’s brand identity.

3. Rimmel

With its origin rooted in London, Rimmel London draws inspiration from the land of its birth. Since its inception in 1834 during King William IV’s reign, Rimmel London has been an integral part of the cosmetics industry. The brand’s logo incorporates the British crown, which emphasizes its regal nature.

4. Royal Mail

The Royal Mail logo has been around for a while, with the current design being created in 1989, but it was closely modeled after a previous version from 1974. Despite the trend towards flat design, Royal Mail has opted to stick with an intricate, realistic illustration of a crown with gradient shadows. The crown design is based on the 13th-century crown of St. Edwards, adding a touch of tradition and reliability to the logo. The logo’s red colour palette also reflects the company’s iconic red post boxes. In comparison to the more abstract logo used by Spain’s post office, the Royal Mail logo stands out for its detailed design.

5. Hallmark

Hallmark, the greetings cards and television company, has been using its crown logo since 1952 with only minor modifications. The design is a perfect example of simple elegance, with a calligraphy font and monochrome application that exudes sophistication and class. The logo’s design makes it feel like a seal, which is fitting for use on greeting cards and envelopes. Additionally, the script style of the logotype matches the crown, creating a handcrafted aesthetic.

6. Royal Canin

Although Royal Canin has no royal lineage, its name and logo still exude a regal air. The pet food brand was founded by a French vet named Jean Cathary in the late 1960s, with an aim to serve mainly breeders. Its earlier logo featured a highly elaborate illustration of a crown on a ribbon with gothic text, which suited its lofty aspirations. However, in the mid-1980s, the company opted for a more streamlined design, which is still in use today. The brand’s connection with elitist traditions is reflected in its name, and the crown logo emphasizes the company’s commitment to providing high-quality pet food. Currently, Royal Canin is owned by Mars.

7. Canada Dry

Canada Dry, a popular beverage brand, has a logo featuring a crown that is a result of its connection to the royal family. Interestingly, the brand’s original logo was quite different from its current one. The original logo showcased a beaver over a map of Canada, highlighting the country’s wildlife and geography. However, this design did not last long as the brand was appointed to the Viceregal Household of Canada’s Governor General in 1907. As a result, the logo underwent a significant transformation to reflect this prestigious honor. The beaver was replaced with a more regal emblem, featuring a crown that symbolized the connection to the royal family. Since then, the crown has become a central part of the Canada Dry logo and is recognized worldwide.

8. Alfa Romeo

The Alfa Romeo logo has gone through nine iterations since its inception in 1910, with the crown becoming less prominent in the more recent designs. However, what many people might not have noticed is the image of a man being devoured by a snake in the logo. This design is a nod to the brand’s Milanese origins, with the flag of Milan and its coat of arms featuring prominently in the logo. The biscione, a snake eating a man, is a traditional heraldic symbol associated with the Visconti family, which ruled Milan in the medieval era, and is also used by many other companies from the city.

9. Moët & Chandon Champagne

While some brands use crown logos to signify their authentic connection to royalty, for others, it’s a matter of patronage. The original logo design of champagne maker Claude Moët was inspired by the crown of its early patron, Louis XV. Although the logo was updated in 2006, it made perfect sense to retain the symbol, which communicates the brand’s luxurious history and status. The logo’s elegant capital letters in a serif font further emphasize its sophistication.

10. KLM

KLM, an airline based in the Netherlands and part of Air France-KLM, has maintained its connection to the Dutch monarchy, which awarded it the title “Royal” in 1919. The company’s logo features a crown and was designed by British designer Henri Kay Henrion in 1964. It was last updated in 1991 to a simpler, one-color design (00A1DE), making it more adaptable for various uses. The designers’ foresight in choosing a single color was practical, according to KLM, as it makes the logo more usable for future designers and painters.

Conclusion

In conclusion, crowns are a powerful symbol that can convey a sense of authority, excellence, and prestige in a company or organization’s logo. The 10 logos we’ve looked at here are great examples of how crowns can be used effectively to create a strong and memorable brand image.

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Every marketer talks about building awareness, few have to build it without talking about the product. India's alcobev industry has spent decades navigating that paradox. Direct product advertising isn't permitted, making surrogate advertising only one part of the marketing equation. The bigger challenge has always been earning something no media budget can buy: consumers who become advocates for the brand. For Debasree Dasgupta, Chief Marketing Officer, Pernod Ricard India, that's the category's biggest truth. “Consumers will always be your biggest advertisers,” she said. It's a philosophy born out of necessity. But it has also shaped how alcobev brands think about marketing itself. “The principles of marketing are the same whether it's personal care, beauty or alcobev. What changes is the complexity.” That complexity, according to Dasgupta, isn't just about navigating regulations. It's about understanding consumers, managing a diverse portfolio, and ensuring brands continue to grow despite having fewer traditional marketing levers than almost any other consumer category. India remains one of the world's most tightly regulated alcohol markets, where brands have to navigate different state regulations, on-trade and off-trade ecosystems, and restrictions on advertising products directly. For marketers, that has meant learning an entirely different language of brand building. Marketing hasn't changed, The rulebook has Dasgupta's own career has prepared her for exactly that. Rather than following a straight path, she has moved across FMCG, health and hygiene, beverages and now alcobev, picking up different lessons along the way. “I think the beauty is that I didn't have a linear career path, and I think it was very deliberate and intentional.” Each company, she said, has added a different layer to her understanding of marketing. “Unilever taught me to be extremely consumer-centric and always keep the consumer at the heart. Reckitt taught me commercial discipline, that marketing needs to lead to commercial and business growth. PepsiCo was about how brands stay relevant in culture.” Bringing those experiences together at Pernod Ricard has reinforced one belief. “The principles of marketing remain the same.” The environment, however, certainly doesn't. While referring to India as one of the markets where alcohol advertising is prohibited, she said, “The regulatory landscape is quite complex. That's the piece that one needs to wrap their minds around as you navigate and ensure that you're able to drive business growth.” That complexity extends well beyond regulation. “At a portfolio level, it's important for us to understand what is delivering the present and what will deliver tomorrow,” she said. “Where is growth coming from today, and where will growth come from in the future?” When consumers become the media channel Perhaps the biggest difference between alcobev and traditional consumer goods lies in how brands create awareness. Unlike an FMCG company, Pernod Ricard cannot advertise its alcohol products directly. “So the disadvantage that we have versus CPG is we cannot advertise products,” Dasgupta said. “We are in compliance with the guidelines that exist today.” Instead, the company builds visibility through compliant brand extensions such as packaged drinking water, while investing in passion points like cricket, music and digital platforms. “For us, the brand extension is a compliant business in itself and we can advertise that. We continue to double down on social, digital and influencer marketing for those businesses.” Furthermore, Dasgupta went on to say, “What we rely on is on-premise advocacy. We rely on sampling. We ensure that our liquids are extremely high quality so that when the moment of truth happens, consumers really love the product.” That has also meant new launches take longer to build. “Awareness build-up is much slower because consumers discover the product at the point of sale. That's very different from an FMCG brand.” Which naturally raises another question: if brands can't advertise products, who does the selling? “The consumers will always be your biggest advertisers,” Dasgupta said. “If you walk into an outlet and see someone drinking, it gives you confidence in the brand.” Word of mouth, she believes, becomes one of the category's most powerful marketing channels. “In a category where you can't advertise the product, consumers become your champions.” That consumer-first philosophy also shapes how global brands are adapted for India. For marketers outside the alcobev industry, the constraints may seem daunting. For Dasgupta, they've simply reinforced a timeless lesson. When the product can't do the talking, the brand, and ultimately the consumer, has to.

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