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    Balance Isn’t Found, It’s Built: Nando’s Anushree Bose On Life, Leadership & Letting Go

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    Sunakshi Soni, Andaz Delhi, Hyatt, Director Marketing & Communications, Sunakshi Soni Andaz Delhi, Hyatt India, luxury hotels India, hospitality marketing, brand communication, hotel marketing, Quirk Brand Consulting, Stanley Communications

    Zero to Viral: A Roadmap That Actually Works

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    From Impressions To Impact: Redefining ROI In The Digital First Era

    From Impressions To Impact: Redefining ROI In The Digital First Era

    The Phygital Revolution: Merging Physical & Digital Retail

    The Phygital Revolution: Merging Physical & Digital Retail

    Regional Content + AI = The Next Growth Engine In Influencer Marketing

    Regional Content + AI = The Next Growth Engine In Influencer Marketing

    From Algorithms To Intelligence: AI SEO Redefines The Approach In 2026

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    Balance Isn’t Found, It’s Built: Nando’s Anushree Bose On Life, Leadership & Letting Go

    Balance Isn’t Found, It’s Built: Nando’s Anushree Bose On Life, Leadership & Letting Go

    Sunakshi Soni, Andaz Delhi, Hyatt, Director Marketing & Communications, Sunakshi Soni Andaz Delhi, Hyatt India, luxury hotels India, hospitality marketing, brand communication, hotel marketing, Quirk Brand Consulting, Stanley Communications

    Zero to Viral: A Roadmap That Actually Works

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One Soap. One Word. The Santoor Ad Story That Never Aged

The Santoor storyline, repeated in living rooms for years, didn’t just market a product, it built a universe of smart, playful twists. With FCB Ulka’s signature touch, each ad became a mini-plot where assumptions shattered, identities flipped, and glow stole the spotlight.

MM Desk by MM Desk
November 14, 2025
in Advertising, Feature, Iconic Ads
A A
One Soap. One Word. The Santoor Ad Story That Never Aged

Teenage skin had its own personality, dramatic, unpredictable, and always plotting sabotage. One tiny pimple and emotional meltdown, confidence crash, and a full-blown prayer session to the skincare gods.

We spent half our teen years stirring haldi, multani mitti, ice cubes, and every jugaadu potion our grandmothers lovingly insisted was “scientifically proven.”

If dadi said, “Yeh lagao, do din mein daag gayab” (apply this, and in two days the marks will disappear) we followed it like it was the master key to beauty.

And right in the middle of this DIY chaos, a little orange soap entered our bathrooms like it owned the sink. Sandalwood for ‘glow’, turmeric for purity. Santoor was basically dadi’s recipe, just with better packaging and fewer kitchen messes. No 12-step routine. No drama. Just familiar, warm comfort that smelled like home.

Meanwhile Santoor became India’s unofficial “How-do-you-look-so-young?!” badge. Credit to FCB Ulka, the genius minds who turned a simple “Mummy!” into a national catchphrase.

Because here’s the thing:
Growing older isn’t the enemy, it’s the plot twist.

And Santoor? It reminded us that confidence doesn’t age.

Life moves on… but sometimes, your glow doesn’t have to.

The Saif Ali Khan Edition – The “Hero Entry” of Santoor in 2014

Created by FCB Ulka (formerly Draftfcb + Ulka). In 2014, Saif Ali Khan the nawab of charm himself strolls onto a fashion set. He sees a woman dancing and instantly assumes she’s the new heroine. With full Bollywood confidence, he turns to the director and asks, “Who’s the new girl?”

Plot twist: “She’s your trainer.”

Saif’s reaction? Pure oh-so-young?! shock because duh, Santoor glow.
And right when you think this is about to become a Saif-meets-glamour moment, the classic Santoor twist hits. A kid runs in shouting “Mummy!”

Saif freezes.

India chuckles.

Santoor smiles.

An ad that blended nostalgia with celebrity sparkle, making it one of the most remembered modern Santoor moments. So reliable, it’s still running years later as a true mom-myth-buster.

Old Women – New Pack (1989–93)

Agency : Created by FCB Ulka (then Ulka Advertising)

Doordarshan was the Beyoncé of broadcasting, and ads came with the emotional stamina of a full TV serial. Santoor already a household staple, now flaunting a “new pack” with the confidence of someone who just got a fresh haircut.

And who does Santoor pick to introduce this makeover?

Not a Bollywood diva.

Not a runway model.

But… a group of older women

SANTOOR BOOKSHOP (1989–93)

Agency: FCB Ulka

Ah, the late 80s when bookshops smelled like fresh pages, romance novels had very questionable covers, and Santoor ads lived for dramatic reveals. Enter the iconic “Bookshop” TVC: a charming woman walks in, and a group of college girls instantly assume she’s one of them, just another student hunting for textbooks. Then a tiny voice cuts through the scene “Mummy!”

And boom. Assumptions shattered. Santoor wins again.

Santoor Cricket (2005)

Agency: FCB Ulka

Women burst onto the scene playing cricket and casually smashed every expectation in sight. Pure nostalgia  right up until another woman storms in, scolding them exactly the way we all got scolded as kids: “Where’s your mother? I’ll complain!”

And then, right on cue, a kid runs in shouting “Mummy!”

Instant giggles. Instant twist. Classic Santoor.

Santoor – Mahesh Babu, The Fashion Photographer

Agency: Draftfcb Ulka

Mahesh Babu walks into the studio like he owns the spotlight  camera in hand, swag in stride, and the confidence of a man who’s made half of India swoon. He spots a woman glowing like the main spotlight. He freezes. The music swells.

And just when he’s mentally planning a Vogue cover… A tiny voice zooms in like a plot twist on wheels: “Mummy!”

Cut to Mahesh’s face: utter confusion.

Because in true Santoor style, that stunning college girl glow wasn’t from youth, it was from haldi, chandan, and mom-life magic.

One “Mummy!” and the photographer was left with the sharpest shot of all:
Never underestimate a Santoor woman; she’ll fool the lens and the man behind it.

Santoor x Varun Dhawan – The Stadium Stunner (2019)

Agency: ADK Fortune Communications

Cut to a packed cricket stadium, cheers blasting, sixes flying, and Varun Dhawan casually sitting in the stands like the nation’s unofficial heartthrob-in-residence. A ball rockets toward the crowd, and before Varun can even raise his celebrity reflexes, a woman leaps in and catches it like a pro.

Varun is stunned. Sparkles in his eyes. Background violins activated.

But Santoor has a script of its own.

Just as Varun is about to offer her a role, a tiny girl sprints up yelling “Mummy!”

Varun’s face? Instant plot twist. Stadium-level heartbreak.

Santoor’s message? Classic.

Because only Santoor can turn a cricket match into a casting call… and then demolish the casting call with one adorable “Mummy!”

The Santoor Glow That Stayed

Here’s what made Santoor more than just a soap on the sink: it never tried to lecture, convince, or overpromise. It didn’t chase trends or chase youth. It simply held up a mirror to the women we grew up with, the ones who ran households, careers, kids, dreams  and somehow still walked out looking like they’d stepped through a soft-focus filter.

The real magic wasn’t the “Mummy?!” twist; it was what came after. The laugh. The surprise. The unspoken respect. Santoor made an everyday moment feel like a celebration  not of age or beauty, but of the small, ordinary glow that comes from living a full life.

Santoor quietly reminded everyone that it can also come from joy, confidence, and a little chandan-turmeric nostalgia.

Over time, that one word “Mummy!”  became more than a reveal.

It became a cultural wink.

A reminder that radiance isn’t something you chase, it’s something you carry.

And maybe that’s why even today, when we see a woman effortlessly stealing the spotlight, there’s always one thought that sneaks in with a smile:

“She’s glowing… must be a Santoor woman.”

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